The imagery represents a promenade through the immoral structure created from the mouth down through the guts. The user will be received with a false deceiving normative facade of the site, that slowly through the journey crumbles throwing the subject into the circulating tunnels. The structure unravels the new environment to the user, kinetic and interactive, overwhelming the user senses and overheating his drivers. The new sublime enables the destructive performance, forces it, establishing an intoxicating state of sensorial overwhelm by Heideggerian self-conception and Sartrean nausea.